I finally sat down and did the exercises for the wardrobe project that the Houston Fashionistas did a while back – only took me two years! My assessment revealed that I need more tops to wear around the house. Since I only need tee shirts, I tried purchasing them as I have done in the past from a box store (though I really like Samina’s suggestion that we need luxury PJs instead; Just because we’re at home, doesn’t mean we shouldn’t have nice things to wear!) Buying from a store didn’t work out well: the quality was terrible, the fit was horrific – high necklines, too tight of sleeves, too boxy and short of a bodice – not to mention that several were sewn quite off-grain. So, I pulled the knits from my stash, mulled my patterns (had a few on hand, bought a couple more) and will be making my own tops because I am worth my own time.
I’m starting with my “Jennifer Beals” top, Vogue 1835 – you know, Flash Dance? Well some of you are old enough to remember… and I thought it’d be a good opportunity to show how I do some of my “kinda-muslins.” Samina had talked about muslins a little while back, and I chimed in that I often do kinda-muslins. Someone wrote me to ask what I meant, so let me show you.
Now, I will preface with, I am not a fit instructor, or a professional fitter, or a fashion/ home economics/ or any other kind of professor. If you’re in the Houston area and need professional help, please see Ms. Andrea. She’s a wonderful person, and excellent seamstress – and a certified fit expert!
Part of the reason I do muslins is that I have so many/ such large fit adjustments to make. No, it’s not that hard, and yes, it’s worth it. When you first start out it will be time intensive and difficult; you’ll probably mess up a lot. But that’s why we practice isn’t it?
Anyway, my first step in adjusting a knit pattern is to pin it to my dress form, see how it compares. This pattern goes up to XXL. Even though the pattern says that the XXL size has a 50 ½ inch bust measurement, it’s not nearly enough for me. Firstly, my bust measures 52 inches; secondly, while the completed garment may have a total circumference of 50 ½ inches, it’s 25 ¼ in front, and 25 ¼ in back – not what I need.
My back measurement is only 18 inches from seam to seam, which means the rest of my 52 inches is all up front. This means the back is 7 inches too wide and the front is 8 ¾ inches too narrow.
And we haven’t even discussed that this pattern is supposed to have a bit of ease. If the finished bust (which in this case matches the width of the lower edge) measurement is 50 ½, and the body measurement for size XXL (24-26) is 46 to 48 inches, then it is giving approximately 2 ½ to 4 ½ inches of ease, quite a bit for a knit pattern, which usually has negative ease. This silhouette of course is a bit slouchy, and the reason for all the extra.
I have decided I don’t want that much ease, and want it slightly fitted, so I’m going to make my first muslin with as size XL for the back, and a size XXL plus two inches for the front. How will I do that? With what I think of as the trace and slide method. Since this is a knit, and not a fitted woven bodice, I’m not going to go through all the folderol of tracing the pattern piece, doing a proper FBA adjustment, then re-tracing and re-fitting the result. As shown above, I held up the pattern pieces to my dress form to gauge how much more room I need.
For the back I chose size XL, and made a straight tracing. But now it’s time to Franken-pattern! For the front, I was short a few inches on the side, and the neckline was too high, so I traced the lowest neckline, and I traced half of the front, or one side of the pattern piece. I then slide the tracing two inches out from the center front, aligning the lengthen/ shorten line to keep it all straight. Then I just finished tracing. Yes, you’ll have to connect the two sides, but a curve ruler will help you find a nice shape for the enckline.
Don’t forget to label your pieces! I learned that from Susan Khalje; write down the name and part number of the pattern, as well as the date and whom the pattern is for, and any adjustments you made. (Sze 10 with a 2 inch long-waist adjustment for example.) This way if you have to leave your project for any reason, you’ll know who it was for, when you did it, what pattern you started with, and what adjustments you’ve already made. You should also of course transfer any markings from the original pattern piece; hem length, darts, grainline, etc.
Now let’s match up our pieces, and check out the connecting parts; for a bodice it’s usually the shoulder and side seams. Do these side seams match? Yup, the sides are good to go.
How about the shoulder? Nope, not happening. Remember, I moved the pattern piece two inches while I was tracing. So what are my options here? The typical option is to put a dart where the extra fabric was added. I can also extend the back shoulder seam to match the front. Since I have more than one fabric to make this top in, I’ve decided to do both.
Come back for part two, where I show you the details of the first top!